Download PDF Saga, Vol. 2, by Brian K. Vaughan
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Saga, Vol. 2, by Brian K. Vaughan
Download PDF Saga, Vol. 2, by Brian K. Vaughan
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From Booklist
Vaughan and Staples’ wholly original Saga (2012) won Eisner awards for best new and best continuing series, and it’s no surprise. This smash hit continues to be a powerhouse: intergalactic intrigue, truly alien aliens, multifaceted characters, and a universe full of lush environments all wrapped around a compellingly told story of forbidden love in wartime. Marko and Alana are still on the run, evading the hired assassins in hot pursuit, but now they’ve been joined by Marko’s disapproving but fiercely loyal parents. Hazel’s insouciant narration is a high point, punctuating dramatic moments with well-timed, trenchant wit. Vaughan has a peculiarly wonderful world at his fingertips, and he’s setting himself up for something big, but it’s Staples’ stunning and otherworldly art that makes Saga such a thrilling read. Her rich, warm palette complements organic shapes not often seen in space adventure stories, and it’s this appealing combination that makes it so fresh. Vaughan and Staples are seriously upping the ante for comics. Fans will be eager to pick this up, and intrigued new readers won’t be far behind. --Sarah Hunter
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Product details
Series: Saga (Book 2)
Paperback: 144 pages
Publisher: Image Comics; 6.2.2013 edition (July 2, 2013)
Language: English
ISBN-10: 1607066920
ISBN-13: 978-1607066927
Product Dimensions:
6.5 x 0.6 x 10 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
484 customer reviews
Amazon Best Sellers Rank:
#12,820 in Books (See Top 100 in Books)
Brian K Vaughn disappeared from writing comics for a few years, but he has returned with a vengeance with this series. The first trade was good, but it was very broad and introduced a host of characters (like a good volume 1 should). Volume 2 begins to really develop the story and characters, and we are already rewarded with an interesting story, believable characters (on all sides of the conflict), good dialogue and wonderful art.This is easily one of the 5 best trades of 2013.
I will admit that some of these the contemporary imagery used for civilian life and use of elements of current society feel a bit too twee, but the story is well developed, the characters remain likable and oddly human considering how inhuman and magical the society actually is. The narrative voice of Hazel is more developed, and the use of flashbacks works well to enrich the character. Some of the dialogue is slightly too cute--think early Kevin Smith or Diablo Cody--but the richness of the characters or a humanizing piece of development pops into the story before that becomes overly distracting. One of the things I will give Vaughan is that both male and female characters are rounded, powerful, and nobody is a stereotypical anything. Even the "villains" are, in the main, charming and have realistic motivations.I particularly like Izabel, Gwendolyn, and the Will as secondary characters as they are in many ways more interesting than the protagonists.
SAGA by Brian K. Vaughan and Fiona Staples uses their second arc to tell the love story between Alana and Marko, and it actually makes sense! Chapter 7, "Dad grew up on WREATH, a magical moon locked in endless conflict with LANDFALL, the very planet it orbited." So we have the classic Capulet v Montague rivalry, here. "We are small, but the universe is not." Or as Linus Van Pelt once said, "There is no battle too big that I cannot run away from it!" But SAGA is about the trouble you cannot hide from because life refuses to leave lovers alone like that. Chapter 8, "I sometime forget, but mom and dad had lives long before I ever came into the picture. They had dreams that had nothing to do with whether or not I'd grow up to be an acrobat or a brain surgeon. They had their own hopes. They had their own desires. And then, against all odds, they found the perfect person to share everything with." The universality of that statement, even though Marko was Alana's prisoner, cuts through the specificity of SAGA's narrative. If there's no heat between Alana and Marko then what are they running for? (But enough about about Darth and Padma, ahem.) Marko's father Barr says to Alana, "Hazel is fine. She stopped crying the instant I put her into that absurd pile of things you call a crib." Holy Nativity, Batman! But beyond the Biblical allusion, this young family is in a desperate situation. "There is no way that I'm this lucky. My father-in-law is a seamstress?" Costume changes in comic books usually happen because a new artist has come on board, but Fiona Staples realized that going forward Alana needed clothes appropriate for her situation. Chapter 9, "Hiya, Mama Cellulite." This insult slung at a female pimp is the feminine sensibility of this series at its best: no guy would say anything about cellulite before pulling out a gun. Slave girl says, "Thataway." Each chapter of SAGA opens with a splash page and closes with a splash page, this closing has a child pointing directly at us the reader and reminds us that the stakes are always about life and death for all creatures big and small. Chapter 10, "Yeah, dad always had a way with the ladies." Marko's transition from prisoner to love muffin is critical, but Brian K. Vaughan's male protagonists (as in Y: THE LAST MAN) are often the only c*** for miles around, so they don't need to work that hard to get some. Izabel returns in high style, "Yeah, that's right. Flee in terror, bitches!" Fiona Staples has designed alien witches to scatter away that are spooky as hell. Izabel is none too happy with Marko's mom Klara, "You're the old crone who sent me to this dump, aren't you?" Well, yeah, but that afforded Barr precious time to bond with Hazel, for Alana was freaking out, "I was giving Hazel a bath and part of her just... just f****** fell ff. I don't even know what the f*** this is!" Barr explains how his species works to her, yet another clever role-reversal in SAGA where a loving grandfather can give a nervous mother of a newborn invaluable parenting advice. Chapter 11, "Yeah, yeah, so my mom and dad used to have sex." Again, Alana and Marko being intimate drives SAGA forward, it's not the kind of funky doodle Nightwing was doing with Starfire for over a decade where there was no possibility of pregnancy; these two fugitives had a baby while on the run - this is why we're all here, folks. Marko tries justify his trying to knock Alana up but she's not having it, "First of all, we're not free, we're hiding on a f****** rooftop on f****** Cleave." SAGA is gender neutral in that it's the guy who is romanticizing their plight. Klara is trying to do the noble thing when their rocket ship is under attack, "Your father and I have lived rich lives, lives that aren't worth a wet s*** without you!" To his credit, Marko holds his parents in higher regard than cannon fodder, but loss has always been a factor in Brian K. Vaughan's stories and SAGA is no exception as Hazel wistfully explains, "I still have a scrap of the outfit he made for me." Chapter 12, we are on the battlefield where one of bounty hunters is saved by an ill-fated medic, "Wait... am I dying? Am I gonna..." BAM. That same hunter tracks down a lead for the fugitive family not yet realizing that, "We'd already been there a week," Unlike the first three episodes of Star Wars where everything we learn about the Force and the Empire feels forced and unpersuasive, this second arc of SAGA brings three generations together organically while putting the dangers at a slightly lower boil without sacrificing a sense of urgency. SAGA takes the time to blink its eyes, to breathe deeply, and to let its concepts cool down a touch. SAGA does not let its mythology choke out its humanity. STAR WARS took 3 movies to tell us about Obi-Wan Kenobi and Darth Vader: The Early Years, and it was too academic, too much spectacle and too little emotion to matter. SAGA never fails to be emotional: Brian K. Vaughan and Fiona Staples gracefully bring deep feeling into every science-fiction scenario :D
This is a highly entertaining continuation of the Saga series. When Marko’s grandparents show up and accidentally banish Marko and Alana’s ghostly babysitter onto a different world it’s up to Marco to travel there and get her back. Meanwhile Alana gets some quality time with her father in law.Marko’s ex-fiance also enters the picture and ends up joining forces with The Will. We also get some backstory on Alana and Marko and how they meet and got involved.The story is fast-paced and the illustration and color are very well done. It’s easy to follow and I am loving the characters and the action. This is a very adult graphic novel, so I would recommend for mature (17+ readers) only.Overall this was a wonderful continuation of the Saga series and I can’t wait to read the next one. I would recommend to adults who enjoy science fiction graphic novels with a lot of action and complex characters.
I completely loved this. I was enthralled the whole time learning about Hazel and the events that lead up to her creation. This world is so creative and imaginative that I'm just blown away. This is one of the best graphic-novels out, and my words won't do justice as to why I would recommend this to every living soul.The main theme in this book is the blind prejudice that all these souls have grown up believing in, because it has always been forced upon them. Everyone can take something out of this lesson, especially with all the hate this election season is bringing.Hazel being the narrator was such a genius move by Brian K. Vaughan. It is so expertly done, too. One minute you feel your heart being ripped out, the next Hazel is making you laugh out loud. Hazel's voice is perfect, and watching her journey is magical.This bind-up gives us flashbacks from the past constantly. It's done very well, and helps the reader get a way better understand at what Marko and Alana have at stake and why it's so important that love wins.
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